The first one-third of the movie -- which is a picturesque passage of this quiet man frolicking in the waves and rocky formations, ignoring his female admirer (Ynez Veneracion), but intrigued by an older gay man (Simon Ibarra) -- made me think I was watching something special. There's a generosity in director Mico Jacinto's compositions, not only in the keen technical attention that promotes the glossy capabilities of the P2 camera and shames many digital movies that try to look expensive, but even more for what he chooses to show and how much. There is no shortage in coverage of sun-glazed images, which match the exploration of Ran Domingo's body as if it were the most magnificent of terrains.
Frontal! <3 it! LOL
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