Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant. His young and impulsive lover, Waldo (Joseph Bitangcol), flees to Manila in disgust. After a month of hesitation, Joaquin leaves his wife to follow Waldo. His search takes him on a seamy yet colorful trip through Manila's gay underbelly. He discovers Waldo's dangerous flirtation with Rufo (Emilio Garcia), a bisexual rogue cop who holds the clue to Waldo's disappearance. Rufo lures Joaquin into his home and introduces him to his submissive wife, Beng (Jean Garcia). A sadist who beats up Beng regularly, Rufo turns Joaquin into a prisoner and sex slave - like he did to Waldo. When Joaquin is finally reunited with Waldo, he discovers that Rufo is about to sell them like fish to an international sex trafficking ring, along with his personal harem of male and female captives. With Beng's help, the two lovers plot their escape.
Showing posts with label Marco Morales. Show all posts
Showing posts with label Marco Morales. Show all posts
Pagnanasa
Carlos never knew his true personality until he met Mr. John. Soaked in poverty, washed with pains, Carlos swore to make ends meet despite his educational impediment.
In his quest for survival, he meets Nick and Rosanna who live their lives in two separate worlds of sexual promiscuity. At the event of trying to make out with each other, their pasts hit on them, the triangle of love is drawn, the hearts are broken, and suicide becomes the only option for Rosanna. What seems unbearable becomes an answer to a long time quest of Carlos as the three discover that they are brothers and sisters from the same mother.
Brought together by fate, not knowing where they come from, sex, lust and quest for money dramatically bring them together to their mother.
Lost in lust, found in love.
In his quest for survival, he meets Nick and Rosanna who live their lives in two separate worlds of sexual promiscuity. At the event of trying to make out with each other, their pasts hit on them, the triangle of love is drawn, the hearts are broken, and suicide becomes the only option for Rosanna. What seems unbearable becomes an answer to a long time quest of Carlos as the three discover that they are brothers and sisters from the same mother.
Brought together by fate, not knowing where they come from, sex, lust and quest for money dramatically bring them together to their mother.
Lost in lust, found in love.
Heavenly Touch
Heavenly Touch is director Joel Lamangan’s latest foray into independent filmmaking, and once again, he returns to the realm of the ever-profitable gay-themed movie. And yet again, this movie is little more than an excuse to show off some male genitalia, offering little to the moviegoer who goes to the cinemas for coherent stories or good filmmaking. Heavenly Touch is an ugly wreck of a film, one that doesn’t think that stories matter at all. Jonard (Joash Balejado) is having trouble making ends meet. His mother is suffering from depression, and he and his sister are forced to quit school in order to take care of her. One day, Jonard meets up his friend Rodel (Paolo Serrano), and Rodel introduces him to the world of massage parlors. Rodel teaches him massage, and brings him to Heavenly Touch, a syndicate-run massage parlor that mostly caters to homosexuals. As Jonard grows comfortable with his new life, he finds himself getting closer to Rodel. But when the threat of eviction looms, Jonard is forced to do things he never thought he’d do.
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